Thursday 19 December 2013

Creative Media Practice Evaluation

The concept of the experimental film was to produce a 3 minute film; using a combination of a 3 minute audio track which would then be used as a soundtrack for a visual 3 minute film. Alex and I discussed a variety of initial ideas for the project and we created a spider diagram to write down specific details such as the audio that would be available to us as well as the visual elements that could be produced to match the audio track. We thought about a variety of ideas for our ‘sense of place’ such as an underwater location or a rainforest. However, we realised that although we could use alternative sounds to represent these locations, we decided they would be slightly too difficult to create the visual side of the film. Eventually we chose the idea of a male; who is introduced as a regular 9-5 working citizen but throughout the film the audience begin to find out a darker side to him as he is involved in conflict with another male over money. One of the main inspirations for this idea was a short film that Debbie had showed us in a previous seminar; ‘Salaryman’ by Jake Knight. We were intrigued by the idea of a film consisting of repetitive scenes yet still keeping an audience interested, therefore we came up with the idea of adding a pot twist in the film; adding a tense ending involving a fight with another character over money issues. A final inspiration for the idea was 'Blue Velvet' by David Lynch, as it presents a visually perfect world yet the soundtrack that is played connotes a twisted atmosphere as the world is not as perfect as the audience believed. The colours used in this piece are very interesting as they are deliberately presented in a bright and colourful way; yet again connoting a sense of unnatural behaviour.

When analysing our ‘sense of space’ I have a mixed opinion on the final result. I feel as though it could definitely be improved in certain places such as the speed of the audio track and the variety of shots filmed. We wanted to create a morning routine that would rapidly speed up as the narrative went on, in order to connote tension and get the audience to feel as if  disequilibrium is about to occur. I like the idea of building up tension rather than going straight into drama as it keeps the audience intrigued as to what is about to happen and when it will occur. However, I feel the shots were not quick enough to fulfil this as Alex and I found that if we cut the shots to make them faster we would not have a sufficient amount of shots to last 3 minutes. We thought about filming more shots to fill the 3 minutes but there weren’t many other scenes we could film to do this.

When we began with the audio track, we recorded the sounds in Alex’s student flat such as bacon frying in a pan, the oven timer, etc. A positive aspect to our audio track was that we were able to sync these sounds with the visual shots easier than we thought. However, when we went to film at my house in Leeds, we decided to use a red egg timer to match the sound of a timer as it looked more interesting than an over timer. The weakness of our soundtrack was trying to sync the sound of footsteps with the footage and in the final footage it doesn’t match as perfectly as we had hoped. I also feel as though the sound of the argument at the end of the piece may not have fit in the overall piece as well as we hoped and could be seen as out of the blue; yet not in the surprising way that we aimed for.

With the filming, I was happy with the shots we got and we used a variety of close up and long distance shots. We were advised not to film our footage in a student accommodation for the problem of not looking realistic so we took this advice and travelled back to my house in Leeds for the footage.  I feel the colours in the footage repeated a theme of black and silver glossy objects, such as the countertop, mug and toaster. Therefore the egg timer stands out from the rest of the kitchen as it is a bright red colour and would signify a catalyst for the piece. The weakness of our footage that stood out to me was the scenes where the main character is walking down a street, as the camera wasn’t very steady and now looking back I would have looked into how to make the shot smoother while walking behind the actor. If I could make any changes to the piece it would focus on making the argument at the end of the narrative so that it fits better in the piece rather than standing out in a negative way.

After we were given the brief for this project, Alex and I created a spider diagram to write down all of the ideas that we could use for our project. We came up with a number of different concepts such as our ‘sense of space’ being in a rainforest or an underwater piece. However, we decided that realistically we would not be able to create the visual side to these environments and would find it difficult to represent similar sounds. We decided that we wanted to create a piece that featured a regular routine that the audience could relate to but then adding a plot twist to add drama to the piece. We felt as though this concept would be easier to create rather than the underwater or rainforest ideas, as well as being enjoyable to produce. When making the audio piece we created another spider diagram to distinguish which parts of the audio will feature certain sounds as well as the number of transitions featured. We planned to use 3 transitions with the repeated sounds gradually speeding up and ending with the argument scene. However, after the feedback we got from the class and Debbie in a couple of seminars we realised that more transitions were needed. Although it would have been better adding a number of transitions we weren’t able to add many more due to not having enough different shots to fill the 3 minutes. In our initial plans we were going to include an atmos sound but later discovered this did not fit in with our piece.

We planned the filming using a storyboard so that we could visually see what scenes we aimed to film and we managed to film the majority of these such as the bathroom scene where the character is washing his face while still hiding his identity. It was easier planning the filming for the kitchen routine as the argument scene relied on the weather as well as the actors. We travelled back to my house in Leeds in order to film the footage rather than using our student accommodation as it looked more realistic and there was a repetitive theme of black and grey glossy objects. I am satisfied with the footage that we filmed as the majority of it has stayed with our initial planning.

I have definitely learnt a lot from this project; from editing skills to filming techniques, one of the main reasons I enjoyed this task. Editing is the side of the course that I am very interested in as I love the way a collection of film clips can be merged together to create a story/meaning. However, I had less knowledge and experience of editing before beginning this course and after the production seminars and help from Alex during editing I learnt a lot. At the beginning I felt uneasy how many people on the course had so much more editing experience but I was able to pick up on how to use programs such as Soundtrack Pro and Final Cut Pro. Although I learnt some basic skills in previous seminars on these programs, I felt as though I needed reminding of how to edit in a certain way. While we were filming in Leeds I also learnt how to film with a Digital SLR Canon 60D with new techniques such as a pull focus. I found it enjoyable learning these new skills as I was able to experiment with the camera for a number of scenes for example I suggested to Alex that we film a scene with the mug from inside a cupboard. The concept was to film the character pulling a mug out of the cupboard from a different perspective; from inside the cupboard so that the identity of the character is still hidden as well as experimenting with different angles.

At the start of the project I didn’t feel as confident with the idea of filming many shots for the project as I was worried my lack of experience would affect the piece but I have learnt many skills with filming such as pull focus and adjusting the exposure. I found it beneficial splitting the filming role equally between Alex and I as it allowed me to gain new skills while learning any alternative ideas he had when filming. I have learnt many new skills when editing the footage for this project, such as reducing the noise of a particular sound such as a footstep that sounded a lot harsher on the stones than the other footsteps. I also learnt how to change the colour and exposure of certain scenes in order to make shadows in a scene lighter or making the colours slightly brighter.

Throughout the whole project Alex and I worked very well as a team, as we always get along even outside of the project and we were able to swap ideas with each other as well as deal with problems without any disagreements or arguments at all. We both shared the same determination and enthusiasm to improve the film each time and we spent many days and evenings editing; with one of the days spending around 8 hours until late evening to ensure we were satisfied with final changes. I was able to learn a lot of new editing and filming skills as Alex had previous experience from his college course whereas my course was based more on theory and less practical experience. I believe this is what made the project a lot more enjoyable and productive as we were able to get on well and share ideas. We both contributed to the project equally; I did the majority of the video editing as this was a certain area I wanted gain more experience from while Alex did the majority of the sound editing as he was able to make it fit together better than myself. In terms of the filming and sound recording we both did the same amount to create a fair contribution and I was willing to learn new filming skills as this was another area I hadn’t much experience in. It was a smooth process splitting the roles in this way as it meant we were both contributing equally and swapping ideas for what angles to shoot from or how to edit a specific scene.

The strengths of our teamwork was that we already get along and meant that there were no bad words or arguments between each other throughout the project; a fear that I had before starting the course. Another strength as mentioned before, was the techniques and experience brought to the teamwork, for example Alex’s practical skills when filming and editing therefore I learnt these and applied them when editing. Although I didn’t have as much practical filming experience I still offered ideas such as putting the camera inside a cupboard so that when the character pulls out a mug it is different from the generic angle behind the character; I wanted to experiment from a different angle. There weren’t really any weaknesses to our teamwork apart from we could have split up the roles more separately, for example one of us editing and the other filming. However, this is the first project we have taken on and meant that we were able to learn different skills from our previous backgrounds.

Editing The Footage For The Soundscape

I found the editing of the visual footage a lot easier than the sound editing, due to the ability to visually create a narrative with both of the elements rather than just the sound recordings or just the footage. The most difficult part of the editing process was attempting to match up the recordings of footsteps with the visual footage of the main character's feet walking along a road. Although the sound isn't perfectly matched up with this scene, it is as close as we could have matched it.





 

Alex and I remembered the feedback from the last presentation/crit and made the piece speed up even faster while layering more sounds over each other in order to create a tense atmosphere. We felt as though the piece needed to contain a lot more sequences and shorter clips in order to fulfil the feedback that we had been given about the speed of the piece. As this was our final edit before the final presentation we were determined to re-edit the film to the best that we could and ended up spending many days and evenings in the edit suites improving the piece.
As Alex had re-edited the soundtrack, I re-edited the footage to sync with the new soundtrack and made the sequences lot fast and more interesting. Alex helped with the footage by adding shot of the egg timer in various places in the narrative so that the audience are intrigued by the repetition of a small, yet important, object.
We exported our film as a quicktime at 25fps, using Apple Pro Res 422 codec and after we burnt it onto a disc through Toast Titanium. We repeated this for a low resolution version and burnt it as a quicktime, as well as a disc containing  just the audio of the piece.

Experimental Film Research: Salaryman - Jake Knight

One of the pieces that inspired our idea was Jake Knight's 'Salaryman' which we had been introduced to in one of Debbie's seminars. We were intrigued with the idea of a short film narrative revolving around repeated scenes yet still keeping the audience interested. Salaryman focusses on a businessman who is in a constant cycle in his life that consists of a mundane office job. The audience see the routine this business man goes through each day and the scenes are repeated throughout the film.

I enjoyed this film when it had been presented to us in one of Debbie's seminars as it was a narrative that I didn't expect to keep interest in, yet it held my attention throughout the whole film. It is intriguing how the ending of the piece links back to the beginning, creating a circular narrative that signifies it is a never ending process for this businessman.





Monday 16 December 2013

Second Crit/Feedback

When Alex and I presented our experimental film; this time with the audience viewing the footage synced with the soundtrack for the first time, we received a lot more negative feedback than we had hoped. However, we took note of the feedback and criticism that was given in order to improve our piece for the final presentation next week.

Although there were some changes that we still wanted to make in the film that we had presented; such as the speed and number of the transitions, we still  hoped the audience and Debbie would visualise the direction that we were aiming for, as well as presenting a mixed feedback of positives and negatives. We hoped that the positive feedback we would receive would focus on the quality of the footage and audio and the concept of our piece, now that a visual narrative was presented. However, a lot of the feedback we received was about the negative aspect of the speed of the whole film and how the last scenes involving the drama/fight did not appeal to any of the audience.

We took all of this feedback from the Crit seminar and immediately began re-editing our experimental film. We spent many hours in the edit suites altering the speed of the narrative by adding more transitions and for one of these days we spent almost 8 hours to improve our film. We wanted to present our piece to the audience showing that we had taken their feedback on board and used it to improve our piece.

The majority of the positive feedback we received on the sticky notes focussed on the pull focus and shots included in the piece; one of the positives we were hoping for. Another positive feedback we found was the appeal of the colours used in our piece, which we are satisfied the audience noticed.

The majority of the negative feedback criticised the pace of the narrative and the ending of the piece, which we have decided to improve greatly after receiving this feedback in order to improve the film.




Filming the Experimental Film

When Alex and I had our one-on-one tutorials with Debbie we were advised not to film our locations in a student accommodation as this was a generic setting many people have used in the past. We agreed that it would be better to find a more suitable location that represented the idyllic kitchen scene in our piece; to signify that the character was in his mid 20s-mid 30s rather than a student character appearing in a student film.

 
Shooting the morning routine in the kitchen - Harrogate 

After thinking a lot about who we could possibly ask to film in their kitchen we found that the most accessible location would be my mum's house in Harrogate. As this is only an hour train journey away we decided to choose a day to travel to film the required scenes. I was aware that the kitchen was a well-lit and spacious environment therefore satisfied with filming here rather than finding a location that we were not as familiar with. From the feedback we received from Debbie in the one-on-one tutorials we realised that our scenes needed to be filmed in a location with some bright colours and lighting in order to signify an optimistic and perfect life; yet hiding a dark secret similarly to the connotation of the bright colours represented in Blue Velvet. 

We didn’t have any technical problems while filming our morning routine in Harrogate and both shared the role for different scenes. For the scene where the character washes his face; yet still hiding his identity with his hands, Alex suggested we film through a close up shot so that the running water is the main object while the hands are only seen in the middle and the top of the frame. Later in the day, I suggested to Alex that we attempt to film the scene with the mug being pulled from the cupboard at a different angle. We placed the camera behind the mug inside the cupboard so that the audience view the scene while still hiding the character’s identity. Although our train home had been delayed by 30 minutes during rush hour, we experienced a smooth day filming for our morning routine.
 
Alleyway in Sheffield
For the scenes focussing on the argument we decided to film back in Sheffield as we were more aware of where abandoned alleyways were nearby the university rather than venturing around Leeds or Harrogate unsure of our surroundings. We filmed the dramatic scenes within a day without any technical difficulties. We were lucky to film while the weather was cloudy and not affecting our shots. We were satisfied with the smooth process of the filming, with Alex and Oliver Guy acting as the two characters, as the scenes we had filmed were similar to the initial ideas we created within our storyboards.


Thursday 12 December 2013

Equipment List for Filming The Soundscape Project

Equipment List

  • Digital SLR - Canon 60D
  • 50mm lens
  • 18-55mm lens (for the shot inside the cupboard with the mug)
  • Zoom microphone
  • Condenser microphone
  • Dynamic microphone 
  • UV Filters
 

Shot Lists for Filming the Soundscape Project

Shot List