Thursday 19 December 2013

Creative Media Practice Evaluation

The concept of the experimental film was to produce a 3 minute film; using a combination of a 3 minute audio track which would then be used as a soundtrack for a visual 3 minute film. Alex and I discussed a variety of initial ideas for the project and we created a spider diagram to write down specific details such as the audio that would be available to us as well as the visual elements that could be produced to match the audio track. We thought about a variety of ideas for our ‘sense of place’ such as an underwater location or a rainforest. However, we realised that although we could use alternative sounds to represent these locations, we decided they would be slightly too difficult to create the visual side of the film. Eventually we chose the idea of a male; who is introduced as a regular 9-5 working citizen but throughout the film the audience begin to find out a darker side to him as he is involved in conflict with another male over money. One of the main inspirations for this idea was a short film that Debbie had showed us in a previous seminar; ‘Salaryman’ by Jake Knight. We were intrigued by the idea of a film consisting of repetitive scenes yet still keeping an audience interested, therefore we came up with the idea of adding a pot twist in the film; adding a tense ending involving a fight with another character over money issues. A final inspiration for the idea was 'Blue Velvet' by David Lynch, as it presents a visually perfect world yet the soundtrack that is played connotes a twisted atmosphere as the world is not as perfect as the audience believed. The colours used in this piece are very interesting as they are deliberately presented in a bright and colourful way; yet again connoting a sense of unnatural behaviour.

When analysing our ‘sense of space’ I have a mixed opinion on the final result. I feel as though it could definitely be improved in certain places such as the speed of the audio track and the variety of shots filmed. We wanted to create a morning routine that would rapidly speed up as the narrative went on, in order to connote tension and get the audience to feel as if  disequilibrium is about to occur. I like the idea of building up tension rather than going straight into drama as it keeps the audience intrigued as to what is about to happen and when it will occur. However, I feel the shots were not quick enough to fulfil this as Alex and I found that if we cut the shots to make them faster we would not have a sufficient amount of shots to last 3 minutes. We thought about filming more shots to fill the 3 minutes but there weren’t many other scenes we could film to do this.

When we began with the audio track, we recorded the sounds in Alex’s student flat such as bacon frying in a pan, the oven timer, etc. A positive aspect to our audio track was that we were able to sync these sounds with the visual shots easier than we thought. However, when we went to film at my house in Leeds, we decided to use a red egg timer to match the sound of a timer as it looked more interesting than an over timer. The weakness of our soundtrack was trying to sync the sound of footsteps with the footage and in the final footage it doesn’t match as perfectly as we had hoped. I also feel as though the sound of the argument at the end of the piece may not have fit in the overall piece as well as we hoped and could be seen as out of the blue; yet not in the surprising way that we aimed for.

With the filming, I was happy with the shots we got and we used a variety of close up and long distance shots. We were advised not to film our footage in a student accommodation for the problem of not looking realistic so we took this advice and travelled back to my house in Leeds for the footage.  I feel the colours in the footage repeated a theme of black and silver glossy objects, such as the countertop, mug and toaster. Therefore the egg timer stands out from the rest of the kitchen as it is a bright red colour and would signify a catalyst for the piece. The weakness of our footage that stood out to me was the scenes where the main character is walking down a street, as the camera wasn’t very steady and now looking back I would have looked into how to make the shot smoother while walking behind the actor. If I could make any changes to the piece it would focus on making the argument at the end of the narrative so that it fits better in the piece rather than standing out in a negative way.

After we were given the brief for this project, Alex and I created a spider diagram to write down all of the ideas that we could use for our project. We came up with a number of different concepts such as our ‘sense of space’ being in a rainforest or an underwater piece. However, we decided that realistically we would not be able to create the visual side to these environments and would find it difficult to represent similar sounds. We decided that we wanted to create a piece that featured a regular routine that the audience could relate to but then adding a plot twist to add drama to the piece. We felt as though this concept would be easier to create rather than the underwater or rainforest ideas, as well as being enjoyable to produce. When making the audio piece we created another spider diagram to distinguish which parts of the audio will feature certain sounds as well as the number of transitions featured. We planned to use 3 transitions with the repeated sounds gradually speeding up and ending with the argument scene. However, after the feedback we got from the class and Debbie in a couple of seminars we realised that more transitions were needed. Although it would have been better adding a number of transitions we weren’t able to add many more due to not having enough different shots to fill the 3 minutes. In our initial plans we were going to include an atmos sound but later discovered this did not fit in with our piece.

We planned the filming using a storyboard so that we could visually see what scenes we aimed to film and we managed to film the majority of these such as the bathroom scene where the character is washing his face while still hiding his identity. It was easier planning the filming for the kitchen routine as the argument scene relied on the weather as well as the actors. We travelled back to my house in Leeds in order to film the footage rather than using our student accommodation as it looked more realistic and there was a repetitive theme of black and grey glossy objects. I am satisfied with the footage that we filmed as the majority of it has stayed with our initial planning.

I have definitely learnt a lot from this project; from editing skills to filming techniques, one of the main reasons I enjoyed this task. Editing is the side of the course that I am very interested in as I love the way a collection of film clips can be merged together to create a story/meaning. However, I had less knowledge and experience of editing before beginning this course and after the production seminars and help from Alex during editing I learnt a lot. At the beginning I felt uneasy how many people on the course had so much more editing experience but I was able to pick up on how to use programs such as Soundtrack Pro and Final Cut Pro. Although I learnt some basic skills in previous seminars on these programs, I felt as though I needed reminding of how to edit in a certain way. While we were filming in Leeds I also learnt how to film with a Digital SLR Canon 60D with new techniques such as a pull focus. I found it enjoyable learning these new skills as I was able to experiment with the camera for a number of scenes for example I suggested to Alex that we film a scene with the mug from inside a cupboard. The concept was to film the character pulling a mug out of the cupboard from a different perspective; from inside the cupboard so that the identity of the character is still hidden as well as experimenting with different angles.

At the start of the project I didn’t feel as confident with the idea of filming many shots for the project as I was worried my lack of experience would affect the piece but I have learnt many skills with filming such as pull focus and adjusting the exposure. I found it beneficial splitting the filming role equally between Alex and I as it allowed me to gain new skills while learning any alternative ideas he had when filming. I have learnt many new skills when editing the footage for this project, such as reducing the noise of a particular sound such as a footstep that sounded a lot harsher on the stones than the other footsteps. I also learnt how to change the colour and exposure of certain scenes in order to make shadows in a scene lighter or making the colours slightly brighter.

Throughout the whole project Alex and I worked very well as a team, as we always get along even outside of the project and we were able to swap ideas with each other as well as deal with problems without any disagreements or arguments at all. We both shared the same determination and enthusiasm to improve the film each time and we spent many days and evenings editing; with one of the days spending around 8 hours until late evening to ensure we were satisfied with final changes. I was able to learn a lot of new editing and filming skills as Alex had previous experience from his college course whereas my course was based more on theory and less practical experience. I believe this is what made the project a lot more enjoyable and productive as we were able to get on well and share ideas. We both contributed to the project equally; I did the majority of the video editing as this was a certain area I wanted gain more experience from while Alex did the majority of the sound editing as he was able to make it fit together better than myself. In terms of the filming and sound recording we both did the same amount to create a fair contribution and I was willing to learn new filming skills as this was another area I hadn’t much experience in. It was a smooth process splitting the roles in this way as it meant we were both contributing equally and swapping ideas for what angles to shoot from or how to edit a specific scene.

The strengths of our teamwork was that we already get along and meant that there were no bad words or arguments between each other throughout the project; a fear that I had before starting the course. Another strength as mentioned before, was the techniques and experience brought to the teamwork, for example Alex’s practical skills when filming and editing therefore I learnt these and applied them when editing. Although I didn’t have as much practical filming experience I still offered ideas such as putting the camera inside a cupboard so that when the character pulls out a mug it is different from the generic angle behind the character; I wanted to experiment from a different angle. There weren’t really any weaknesses to our teamwork apart from we could have split up the roles more separately, for example one of us editing and the other filming. However, this is the first project we have taken on and meant that we were able to learn different skills from our previous backgrounds.

Editing The Footage For The Soundscape

I found the editing of the visual footage a lot easier than the sound editing, due to the ability to visually create a narrative with both of the elements rather than just the sound recordings or just the footage. The most difficult part of the editing process was attempting to match up the recordings of footsteps with the visual footage of the main character's feet walking along a road. Although the sound isn't perfectly matched up with this scene, it is as close as we could have matched it.





 

Alex and I remembered the feedback from the last presentation/crit and made the piece speed up even faster while layering more sounds over each other in order to create a tense atmosphere. We felt as though the piece needed to contain a lot more sequences and shorter clips in order to fulfil the feedback that we had been given about the speed of the piece. As this was our final edit before the final presentation we were determined to re-edit the film to the best that we could and ended up spending many days and evenings in the edit suites improving the piece.
As Alex had re-edited the soundtrack, I re-edited the footage to sync with the new soundtrack and made the sequences lot fast and more interesting. Alex helped with the footage by adding shot of the egg timer in various places in the narrative so that the audience are intrigued by the repetition of a small, yet important, object.
We exported our film as a quicktime at 25fps, using Apple Pro Res 422 codec and after we burnt it onto a disc through Toast Titanium. We repeated this for a low resolution version and burnt it as a quicktime, as well as a disc containing  just the audio of the piece.

Experimental Film Research: Salaryman - Jake Knight

One of the pieces that inspired our idea was Jake Knight's 'Salaryman' which we had been introduced to in one of Debbie's seminars. We were intrigued with the idea of a short film narrative revolving around repeated scenes yet still keeping the audience interested. Salaryman focusses on a businessman who is in a constant cycle in his life that consists of a mundane office job. The audience see the routine this business man goes through each day and the scenes are repeated throughout the film.

I enjoyed this film when it had been presented to us in one of Debbie's seminars as it was a narrative that I didn't expect to keep interest in, yet it held my attention throughout the whole film. It is intriguing how the ending of the piece links back to the beginning, creating a circular narrative that signifies it is a never ending process for this businessman.





Monday 16 December 2013

Second Crit/Feedback

When Alex and I presented our experimental film; this time with the audience viewing the footage synced with the soundtrack for the first time, we received a lot more negative feedback than we had hoped. However, we took note of the feedback and criticism that was given in order to improve our piece for the final presentation next week.

Although there were some changes that we still wanted to make in the film that we had presented; such as the speed and number of the transitions, we still  hoped the audience and Debbie would visualise the direction that we were aiming for, as well as presenting a mixed feedback of positives and negatives. We hoped that the positive feedback we would receive would focus on the quality of the footage and audio and the concept of our piece, now that a visual narrative was presented. However, a lot of the feedback we received was about the negative aspect of the speed of the whole film and how the last scenes involving the drama/fight did not appeal to any of the audience.

We took all of this feedback from the Crit seminar and immediately began re-editing our experimental film. We spent many hours in the edit suites altering the speed of the narrative by adding more transitions and for one of these days we spent almost 8 hours to improve our film. We wanted to present our piece to the audience showing that we had taken their feedback on board and used it to improve our piece.

The majority of the positive feedback we received on the sticky notes focussed on the pull focus and shots included in the piece; one of the positives we were hoping for. Another positive feedback we found was the appeal of the colours used in our piece, which we are satisfied the audience noticed.

The majority of the negative feedback criticised the pace of the narrative and the ending of the piece, which we have decided to improve greatly after receiving this feedback in order to improve the film.




Filming the Experimental Film

When Alex and I had our one-on-one tutorials with Debbie we were advised not to film our locations in a student accommodation as this was a generic setting many people have used in the past. We agreed that it would be better to find a more suitable location that represented the idyllic kitchen scene in our piece; to signify that the character was in his mid 20s-mid 30s rather than a student character appearing in a student film.

 
Shooting the morning routine in the kitchen - Harrogate 

After thinking a lot about who we could possibly ask to film in their kitchen we found that the most accessible location would be my mum's house in Harrogate. As this is only an hour train journey away we decided to choose a day to travel to film the required scenes. I was aware that the kitchen was a well-lit and spacious environment therefore satisfied with filming here rather than finding a location that we were not as familiar with. From the feedback we received from Debbie in the one-on-one tutorials we realised that our scenes needed to be filmed in a location with some bright colours and lighting in order to signify an optimistic and perfect life; yet hiding a dark secret similarly to the connotation of the bright colours represented in Blue Velvet. 

We didn’t have any technical problems while filming our morning routine in Harrogate and both shared the role for different scenes. For the scene where the character washes his face; yet still hiding his identity with his hands, Alex suggested we film through a close up shot so that the running water is the main object while the hands are only seen in the middle and the top of the frame. Later in the day, I suggested to Alex that we attempt to film the scene with the mug being pulled from the cupboard at a different angle. We placed the camera behind the mug inside the cupboard so that the audience view the scene while still hiding the character’s identity. Although our train home had been delayed by 30 minutes during rush hour, we experienced a smooth day filming for our morning routine.
 
Alleyway in Sheffield
For the scenes focussing on the argument we decided to film back in Sheffield as we were more aware of where abandoned alleyways were nearby the university rather than venturing around Leeds or Harrogate unsure of our surroundings. We filmed the dramatic scenes within a day without any technical difficulties. We were lucky to film while the weather was cloudy and not affecting our shots. We were satisfied with the smooth process of the filming, with Alex and Oliver Guy acting as the two characters, as the scenes we had filmed were similar to the initial ideas we created within our storyboards.


Thursday 12 December 2013

Equipment List for Filming The Soundscape Project

Equipment List

  • Digital SLR - Canon 60D
  • 50mm lens
  • 18-55mm lens (for the shot inside the cupboard with the mug)
  • Zoom microphone
  • Condenser microphone
  • Dynamic microphone 
  • UV Filters
 

Shot Lists for Filming the Soundscape Project

Shot List


Saturday 30 November 2013

Research: Blue Velvet Opening - David Lynch

 
http://www.youtube.com/watch?v=nM975_Ld9S0 Accessed 3/12/13, David Lynch (Video posted by Youtube user: anticlimatic21) Film created 1986 (Video uploaded 2006)

In the opening scene of David Lynch's Blue Velvet, the song 'Blue Velvet' by Bobby Vinton is played in parallel with scenes of a very bright and colourful neighbourhood. These colours are purposely edited to look brighter, for example in the image below the white fence is very bright against red roses and a clear blue sky. These formal elements connote perfection and an unnatural (yet idyllic) setting, giving a sense of uncertainty as to how perfect the neighbourhood really is. This 'perfect life' is then slowly unravelled as the scene of the man using the hose begins to turn sinister, with the sound of the water getting louder; still with the optimistic music playing in the background. This juxtaposition of sounds, as well as his outbursts of pain, connote horror as the audience are exposed to the hidden terror in this supposedly 'idyllic' environment. 

The 'idyllic neighbourhood' in Blue Velvet

In relation to our project, we may use a similar technique whereby the visual shots of the kitchen may be edited and distorted to create a sense of an overly-idyllic environment but with a sinister twist. We will also experiment with generic sounds in the background that can be used in a sinister way, for example the sound of birds gradually getting louder. The technique of layering juxtaposing sounds is similar to a scene in Watchmen, when the fight scene of The Comedian's death consists of painful outbursts from The Comedian alongside Frank Sinatra's 'Unforgettable'.


http://www.youtube.com/watch?v=8i7l6Mh6giE Accessed 3/12/13, Zack Snyder (Video uploaded by Youtube user: Revega Aexandru) 2009 (Video uploaded 2011)


Sound Research: 'The Birds' - Alfred Hitchcock 1963


Youtube Video Still

http://www.youtube.com/watch?v=Lw0FP9putKM Accessed 1/12/13, Film Director Alfred Hitchcock (Video posted by Youtube user: Marc Parella) Film Created 1963 (Youtube Video uploaded 2010)

In the final attack in Hitchcock's The Birds, he successfully creates drama and suspense through the use of increasing the volume of sounds and as they get more intense, the tension builds up to the disequilibrium. In the beginning of the video when Melanie is slowly walking towards the camera, there is a short sound clip of a bird's wings flapping and this signifies that something is about to occur involving the birds.

Although Hitchcock uses an orchestra sound in the background and isn't relevant to my sound project, he uses sound bites and increases the volume to a terrifying and extreme level, thus creating terror and an uncomfortable atmosphere. Hitchcock increases the volume steadily throughout the scene as Melanie is slowly walking to the source of the noise, a similar technique Alex and I may use in our soundtrack to create a similar sense of uncertainty and tension.

Sound Research: Meat Factory Ear Worms - Richie Beirne (2008)


http://www.rte.ie/radio1/doconone/the-curious-ear-doconone-meat-factory-ear-worms.html Accessed 1/12/13, Richie Beirne, March 2011

As part of my research for my sound piece, I listened to Richie Beirne's 'Meat Factory Ear Worms' after being introduced to it in a seminar a while ago as it presents the idea of juxtaposing sounds with upbeat music alongside harsh, sharp noises such as knife slicing along each other. The voiceover throughout the whole piece provides the audience with a narrative of what is happening in the meat factory and how the character is daydreaming in order to get through their everyday routine.

The sound of heavy machinery and drilling/cutting is played alongside the soundtrack of optimistic songs such as 'I Used To Love Her' by The Saw Doctors. The narrator refers to these songs as 'earworms' - songs which stay in your head; a technique that helped him get through his job in the meat factory.

I feel this research shall help me with the idea Alex and I have come up with as it layers juxtaposed sounds to create a slightly uncomfortable atmosphere for the audience. In our soundtrack we may experiment with layering eerie/background sounds with the morning routine - such as birds tweeting but increasing in volume - in order to increase the tension.

Feedback/Crit for Sound Idea

When Alex and I presented the first edit of our sound piece to the rest of the class we received a variety of mixed opinions on our piece. Although we aimed to have repetition at the start of the piece to gradually speed up, many people felt the pace was not fast enough and this is something I agree with when reviewing the piece. We realise that we will need to record more sounds to add into the piece and speed up the pace even more to create the sense of tension.


When reviewing the positive opinions from our class, we found that many people enjoyed the concept and understood the overall idea we were trying to get across. Some people commented on the clear quality of recordings at the start of the sound track when presenting the morning routine. I am pleased to find out that many of our peers were in favour of our concept and how some comments revealed that they enjoyed being surprised with the disequilibrium at the end. 




In terms of the negative points, we found that the majority of the comments pointed out how the pace should be sped up in order to create a more tense atmosphere; a criticism I agree with when reviewing the soundtrack again. Another criticism I agree with is the uncertainty some of my peers had when listening to the atmosphere recordings halfway in the narrative. Although we felt these sound bites fitted well in this part of the narrative (before the disequilibrium) I was then able to see from the audience's perspective how it may seem out of place. These sound bites could still be used on the soundtrack but maybe as a background track to other parts of the narrative. I feel the criticism from my peers was very useful as many of the comments pointed out weaknesses that I could see myself, yet needed to see from another perspective in order to improve them/

Overall Positives:

  • Good Idea/Concept
  • Clear quality recordings for the morning routine


Overall Negatives: 

  • Beginning and end sounds need to link together more
  • Beginning routine should be faster


Overall Positive Comments
Overall Negative Comments




Ediing the Sound Project


Alex and I booked out a zoom microphone in order to record sounds from across Sheffield such as roads full of passing traffic in the distant and muffled voices of passers by. This was to include a sense of atmosphere among the soundtrack rather than it containing only sounds from household objects. We recorded objects in the kitchen such as a kettle boiling and bacon frying in a saucepan. This was due to those sounds being the most associated with a morning routine and we thought the audience would then be able to figure out our idea of the morning routine as they would only be presented with audio rather than visual footage.

 


We decided to use Soundtrack Pro and although this was the first time I had used this program, I was able to figure out how to use it and as Alex had already used this before this also helped with working out how to use it. We imported the sound bites and began to trim and rearrange them to create our desired narrative. For the morning routine we replicated the first sequence of kitchen sounds with the speed increasing after each sequence. This was to create an increase in tension signifying to the audience that disequilibrium was to occur at any moment; as the purpose of our sound piece is to surprise the audience with a narrative that seems like a regular routine yet an unexpected plot twist occurs at the end. Then we decided to place the audio files of various atmospheres after in order to signify a change in the routine, before the climax of the audio including shouting and the argument between two males over a disagreement involving money.

Finally we exported our sound track onto a CD to present to the class for feedback on our idea.


Saturday 9 November 2013

Experimental Project 'Sense of Place' - Sound Ideas

Development for our 'Sense of Place'
For our Sound Experimental Project, Alex and I have decided to create a 'sense of place' based on an everyday 9-5 businessman or woman, whose repetitive daily routine is altered dramatically when they  take a different route home one night. We have not decided yet whether the main character is a male or female as we are only required to focus more on the sound part of the project. The first 1.5 minutes will be repetitions of everyday sounds such as:
  • A kettle boiling
  • A shower/tap running
  • Alarm clock/radio
We decided that we wanted to have these sounds gradually speed up each time, to signify to the audience that a change in this monotonous routine is about to occur. This part of our idea is similar to an Experimental Film we viewed in a seminar called 'Salaryman 6'  by Jake Knight (2002). We wanted to create an idea which begins with something that many people can relate to; in this case a repetitive routine in the weekday (e.g school, university, a job). Then we decided we wanted to create a sense of excitement and drama in our 'sense of place', therefore we wrote down ideas for how the disequilibrium could occur:
  • Sequences of repetitious sounds speeding up
  • One sound bite to cause the change in routine - radio announcement/road closure
  • Overhearing an argument; between intimidating characters
  • Gun shot/shouting/ambulance sirens


Thursday 17 October 2013

Steel Homes - Eva Weber (2008)

After I watched Eva Weber's short film, Steel Homes, I found the main theme to focus on the possessions of certain people. The narrative of  the film was told through each individual's story as they told the audience about the reasons for keeping their possessions and related memories to these objects. I believe Eva's primary aim was to show the audience how regular objects from home or relationships, that many people may take for granted, can bring a lot of importance to an individual. This may cause the viewers to think about possessions they may wish to keep in a similar way to the storage units; holding on to certain memories.


I had to watch the short film a couple of times in order to fully understand the whole concept of the steel storage unit but overall I did enjoy this film. I found it moving listening to each individual's past stories causing them to keep certain items, for example a male narrator explains how keeping his possession reminds him of 'the good times as well as the bad'.

The opening scene of the film begins with a steel door slowly opening, which could represent the people involved in the film allowing viewers into their 'steel homes'. Although the monologues reveal parts of their past and reasons for certain possessions, the camera never films the inside of the storage cells; with only a side view of the person opening the unit. This is to keep a sense of privacy for the individual, as if the director is deliberately allowing them to keep their world to themselves rather than letting the whole of the audience into it. I found it interesting how the steel environment creates a harsh atmosphere despite the main focus of the film being memories and loved possessions. This juxtaposition causes the audience to believe that despite first impressions that may seem untouched and not fully drawn into, many memories and interesting stories are hidden behind each metal door. This may represent the individuals as they will always have these memories in them, no matter what their first impressions are.

One of the techniques I found fascinating was how the camera never fully focussed on an individual's face. The audience would either see a long distance shot of them moving items in and out of their unit or in certain scenes, the camera filmed over their shoulders to allow viewers to see their objects. My favourite scene using this technique was when the camera filmed a lady's hands holding three photographs of herself at different ages. The camera then reverts to a long distance shot of an old lady, in the same red coat, holding the photographs and this makes the audience feel curious about her past and the stories behind the photographs.

Another technique I found interesting was the use of individual monologues to carry the narrative of the film. There is no narrator explaining what the film is about or who the individuals are, just the unknown voices  telling their reason behind the value of their objects and the memories. The only music played was at a monotonous level so the audience could focus mainly on the monologues and this was also used with the sounds of the setting, such as footsteps and shutting the metal doors. This created a realistic atmosphere for the film rather than editing any music over the scenes.

I believe the film's structure and style did relate to its content as it filmed the individuals as the monologues were telling their story, giving the audience a slight visual of who the narrator is without revealing their whole identity. In addition to keeping their faces hidden, through the use of not filming inside their storage units, this relates to the film's theme of individual memories and often this is seen as a private matter that only the individual wants to have control of rather than letting the whole world involved. It was a very interesting way of presenting the idea of surprise by revealing the use of a location that many would assume was related to work, was in fact the storage of many memories.